Number 48, December 2022

 

Editor’s Note

Chun-yen Chen

Feature Topic

Transgression and Irish Writing since 1921

Guest Editors Anne Fogarty and Wei H. Kao

 

Introduction: Irish Studies in Taiwan

Anne Fogarty and Wei H. Kao

Anne Fogarty and Wei H. Kao

  • Research Articles
 

“[T]he deprofundity of multimathematical immaterialities”: Finnegans Wake II.4 as a Parody of Mechanical Encryption

Pingta Ku

Pingta Ku

“Exile, Cunning, Silence”: Stephen’s New Irish Art in Ulysses

Li-ling Tseng

Li-ling Tseng

Silence on the Border in Eoin McNamee’s Resurrection Man and Brian McGilloway’s The Nameless Dead

Yi-ling Yang

Yi-ling Yang

Nostalgia and Post-Crash Irish Identity in Donal Ryan’s The Spinning Heart and Mike McCormack’s Solar Bones

Shan-Yun Huang

Shan-Yun Huang

 General Topics

 

Study in Fairies: Arthur Conan Doyle’s Alternative Science and the Cottingley Fairy Photographs

Kaori Inuma

Kaori Inuma

Body, Technology, and Art: On Walter Benjamin’s “Work of Art” Essay and Related Writings

Shih-Yen Huang

Shih-Yen Huang

 Talking Points

 

“In the Zone of Occult Instability”: Some Reflections on Unevenness, Discordant Temporalities, and the Logic of Historical Practice

Harry Harootunian

Harry Harootunian

A Poetics of Event and Change

Julian Chih-Wei Yang

Julian Chih-Wei Yang