Number 42, December 2019

                                                      

 

Feature Topic Literary Fantasy and Its Discontents

Guest Editors Sharin Schroeder and Pingta Ku

 

 

Introduction: Fantastically Real                                           

Pingta Ku and Sharin Schroeder

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  •  Research Articles
 

Imaginary Conquests: Folktales, Film, and the Japanese Empire in Asia

Richard M. Davis

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Writing in My Voice: Four Modalities of Myth-Writing in Taiwanese Indigenous Sinophone Literature

Dirk Kuhlmann

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Satirical Fantasy and Idiom Literalization in Zhang Henshui’s A New Tale of Killing Ghosts

Yiran Chen

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Feature Topic Indiescape Hong Kong and the Post-Handover Film World

Guest Editor Kenny K. K. Ng

 

 

Introduction: Hong Kong Independent Cinema in the Post-Handover Era                         

Kenny K. K. Ng

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  • Research Articles
 

The Ten Years Phenomenon: Promises and Perils of Politically Engaged Cinema in Hong Kong

Vivian P. Y. Lee

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Looking through My Fly’s-Eye View: Chan Tze-woon’s Documentary of the 2014 Umbrella Movement

Kenny K. K. Ng

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Of Activism and the Land: Ecological and Utopian Visions of Post-Handover Hong Kong Documentaries

Winnie L. M. Yee

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  • Perspectives
 

Too Much Reality? Reflections on the Educational-Observational Film World of Tammy Cheung and Augustine Lam

Mike Ingham

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A Turn to the Politics of Place in Hong Kong Independent Documentaries

Enoch Yee-lok Tam

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General Topics

 

 

Taiwan’s Postcoloniality and Postwar Memories of Japan

Liang-ya Liou

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Nawal El Saadawi on Female Genital Cutting and Women’s Rights in Woman at Point Zero and Searching

Chia-Ling She

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The Quotation of A Portrait of the Artist as a Young Man and the Transformation of the Catholic Church in Patrick McCabe’s The Holy City

Yi-ling Yang

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The Uncelebrated Nonhuman Citizens of Nature in Emily Dickinson’s Writings

Mei-shu Chen

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Authority of Poetic Voices in The Prelude: Wordsworth’s Re-writing of Revolutionary Experiences

Chia-Jung Lee

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