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Editor’s Note |
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FEATURE TOPIC Non-Worldly Literature Guest Editor Yu-lin Lee |
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Introduction: World Enough Yu-lin Lee and Chun-yen Chen |
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■ Research Articles |
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“Include Me Out”: Reading Eileen Chang as a World Literature Author Carole Hang Fung Hoyan |
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From the Impersonal to the Ecological: Critique of Neoliberalism and Vision of Ecocosmopolitanism in Wu Ming-Yi’s The Stolen Bicycle You-ting Chen |
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Compound Eyes and Limited Visions: Wu Ming-Yi’s “Weak Anthropocentric” Gaze Dingru Huang |
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Creolization, Translation, and the Poetics of Worldness: On Wu Ming-Yi’s French Translation Gwennaël Gaffric |
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Luo Yijun’s Fourth Person Singular Writing: A Cartography of Time Kailin Yang |
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■ Perspectives |
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On the Third Hand: Why to taiwan World Literature Adam Lifshey |
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Q & A: Wu Ming-Yi Wu Ming-Yi |
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Compromises in Translating Wu Ming-Yi’s Uncompromising Localism Darryl Sterk |
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Landscape in Motion: Wu Ming-Yi’s Novels and Translation Pei-yun Chen |
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The Trans-L/National Ethos and Ethnos of Tangut Inn Pingta Ku |
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Dream Cleansers, from Tangut Inn Luo Yijun // Translation by Pingta Ku |
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GENERAL TOPICS |
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Cooking, Postfood, and Our Posthuman Future in Margaret Atwood’s MaddAddam Trilogy Nainu Yang |
